I am not going to give you either a blurb or a summary of events here. I think the blurb is super spoilerific – so if you can go in blind, please go in blind. I’m going to avoid spoilers here as much as possible.
I wasn’t sure what to expect with The Glass Hotel. I read Station Eleven last year via audiobook and it was one of the few audiobooks that managed to capture my attention for the full eleven hours. For an untrained audiobook listener, that was a big deal. I was even more amazed that I could so completely enjoy a book that lacked any serious plot direction. It was the characters and the snapshots of their lives driving me onward, and I’m happy to report The Glass Hotel is structured similarly.
The book meanders from one POV to the next and back again. For the most part, I enjoyed all the perspectives, even if I enjoyed some a smidge more. These are fully realized characters. We follow them through the high and low points of their lives. We bear witness to all their ugly sins and fatal flaws.
Reading print instead of listening, I had the opportunity to appreciate Mandel’s writing in a way I previously hadn’t. It is compulsive. It flows beautifully. It’s accessible and literary all at the same time. It convinced me that I need to read pretty much everything she has ever written.
As for the story, well, I found it to be a good bit darker than I remembered Station Eleven being, despite the fact that this contains no apocalypse inducing pandemics. Most of the characters aren’t the sort you’d want to be friends with, and they leave other characters devastated in their wake. Especially haunting considering parts of this were based on a true story.
The are some speculative, supernatural elements to this story – but ultimately I’d categorize it under contemporary literature. It’s not a significant part of the book. In retrospect, I wish she’d done a little more with that piece, fleshed it out just a bit, given us more of a reason for it’s inclusion.
The ending for some characters is slightly ambiguous. Not so much that it annoyed me but it just felt a little anticlimactic. Despite the darkness of some events, Mandel still manages to end it on what feels like a hopeful note. Ultimately, my complaints are minor and I found most of the novel completely engrossing, and ultimately difficult to put down.
Despite my numerous comparisons to Station Eleven, The Glass Hotel stands on its own, and I highly recommend picking up if you enjoy Mandel’s writing. It releases on tomorrow, March 24, 2020, and can be found on GoodReads and Amazon. Thank you to the publisher for providing a copy for review.